Afr. du Sud.–Ken. fict. vostf 2009 coul. 23min (vidéo num.)
La nature a disparu. À l’extérieur, tout est mort. Asha vit et travaille en tant que conservatrice de musée dans une des communautés d’intérieur que dirige le Conseil de Maitu. Un jour, elle trouve dans son courrier une boîte contenant de la terre.
Wednesday 24th June 2009.
Good Hope Centre, Cape Town,
Western Cape, South Africa.
STILLS FROM WANURI KAHIU’S FILM ‘PUMZI’!
A 20 min Sci-Fi film about futuristic Africa, 35 years after World War III, ‘The Water War’!
A series of stills photographs taken during the production of Wanuri Kahiu’s short film, ‘Pumzi’. Wanuri Kahiu, an award winning Kenyan Filmmaker, wrote and directed the film that was filmed entirely on location in the Western Cape, South Africa.
These stills specifically were taken on various locations in Cape Town, Western Cape, South Africa during June 2009.
The film is a futuristic work based on a devastated world without water and other precious commodities. The film, set in the Kenyan countryside, questions the price of fresh water, fresh air, fresh food and other commodities and revolves mainly around its central character, ‘Asha’. The film also focuses on how to harvest moisture, energy and food in all their varied forms in order to supply the human food chain that depends on these life precious things for their ultimate survival.
In the film Asha is a curator at a virtual natural history museum in the Maitu Community located in the Eastern African territory. Outside of the community, all nature is extinct. When she receives a box in the mail containing soil, she decides to plant a seed in it. The seed starts to germinate instantly. Despite repeated instructions from her superior to throw out the soil sample, she appeals to the Council to grant her an exit visa to leave the community and plant the seed. Her visa is denied and she is evacuated from the Museum. Asha decides to break out of the inside community to plant the seed in the ‘dead’ outside. She battles with her own fear and apprehension of the dead and derelict outside world to save the growing plant.
Essentially Asha embarks on a personal quest that becomes her journey of self discovery and spiritual awakening that causes her to question her own existential role in this worSunday 21st June 2009.
Lagoon Beach Hotel Underground Car Park,
Lagoon Beach, Milnerton, Cape Town,
Western Cape, South Africa.
STILLS FROM WANURI KAHIU’S FILM ‘PUMZI’!
A 20 min Sci-Fi film about futuristic Africa, 35 years after World War III, ‘The Water War’!
A series of stills photographs taken during the production of Wanuri Kahiu’s short film, ‘Pumzi’. Wanuri Kahiu, an award winning Kenyan Filmmaker, wrote and directed the film that was filmed entirely on location in the Western Cape, South Africa.
These stills specifically were taken on various locations in Cape Town, Western Cape, South Africa during June 2009.
The film is a futuristic work based on a devastated world without water and other precious commodities. The film, set in the Kenyan countryside, questions the price of fresh water, fresh air, fresh food and other commodities and revolves mainly around its central character, ‘Asha’. The film also focuses on how to harvest moisture, energy and food in all their varied forms in order to supply the human food chain that depends on these life precious things for their ultimate survival.
In the film Asha is a curator at a virtual natural history museum in the Maitu Community located in the Eastern African territory. Outside of the community, all nature is extinct. When she receives a box in the mail containing soil, she decides to plant a seed in it. The seed starts to germinate instantly. Despite repeated instructions from her superior to throw out the soil sample, she appeals to the Council to grant her an exit visa to leave the community and plant the seed. Her visa is denied and she is evacuated from the Museum. Asha decides to break out of the inside community to plant the seed in the ‘dead’ outside. She battles with her own fear and apprehension of the dead and derelict outside world to save the growing plant.
Essentially Asha embarks on a personal quest that becomes her journey of self discovery and spiritual awakening that causes her to question her own existential role in this world. The film flows like its other character, ‘Water’, and leads us all to a realization that a world without water and a life without understanding and spirituality is absolutely no world and no life at all!
PICTURE: MARK WESSELS. 21/06/2009.
+27 (0)21 551 5527.
+27 (0)78 222 8777.
atomic7@mweb.co.za
www.markwesselsphoto.com
Wanuri Kahiu
Réalisatrice et productrice kényane.
Wanuri KAHIU a une Licence en Sciences de l’Université de Warwick, ainsi qu’un Master en Beaux Arts de l’Université de California. Elle a eu le Prix de la Motion Pictures of America Associates aussi bien que le Prix Hollywood Foreign Press pour son film de fin d’études à l’Ama’s Mama.
From a Whisper (2008) a eu cinq prix à la cérémonie des African Movie Awards au Nigeria, dont ceux du meilleur réalisateur et du meilleur film. Elle a ensuite tourné For Our Land (2009), un documentaire sur la vie de la lauréate du prix Nobel de la paix Wangari Maathai. En 2010, son court-métrage de science-fiction Pumzi, en partie financé par Focus Features et le Goethe-Institut, a été projeté au festival de Sundance. Son long métrage Rafiki en première mondiale au Festival de Cannes 2018 est le premier film kenyan à ce festival français.
